Tuesday, 31 January 2012
Update of today's lesson!
Monday, 30 January 2012
Second filming!
Sunday, 29 January 2012
Filming!
We have all of our filming done totally now :) On saturday we had a mission of filming all morning and getting everything done! We stuck to it and managed it all!
Now we have to edit our footage. Can't wait to start editing! We're using imovie to edit in so it should be great!
Anyway that was just a quick update, til next time bye!
x
Wednesday, 25 January 2012
Shot lists!
Shot no. | Shot/Framing etc. | Action | Info (costumes, props, locations, personnel etc) |
1 | Establishing shot of family home | Focus pull (fuzzy to focused) | Bright, sunny, early morning |
2 | mid shot of dad in bed | Camera pans with him as he sits up. | Dark room, early morning |
3 | Extreme close-up of dad’s face | Confused facial expression | Dark room, early morning |
4 | Match-on-action, over the shoulder | Walking through door | Dark room, early morning |
5 | Match-on-action, long shot | Just walked through the door, looked round room | Dark room, early morning |
6 | Pan. Dad’s POV. | Dad looking from one bed to the other, no children! | Dark room, early morning |
7 | High angle, still shot. | Dad half-runs downstairs and through doorway | More light, no curtains on windows, near stairs |
8 | Pan, slight high angle. | Dad is still looking round kitchen, sees note | Light, bright coloured kitchen |
9 | Moves from high to low angle, pan. | Dad reads note, realises his family is gone | Light, bright coloured kitchen |
11 | High angle, still shot. | Dad’s hand comes into view, takes keys, leaves | Light, bright coloured kitchen |
12 | Slight high angle. | Car drives off, dad is driving | Outside, bright morning. |
14 | Over-the-shoulder mid-shot. | Dad is frantically driving | Grey, inside a car, muted sound. |
15 | mid-shot. | Worried facial expression, driving. | Grey, inside a car, muted sound. |
17 | Extreme close-up, still shot | dad’s scared facial expression | Silence, faint tick of clock. |
18 | POV from dad’s eyes. | turns steering wheel | grey, inside car, muted sound. |
21 | mid-shot from backseat | dads driving | grey, inside a car, muted sound |
22 | Pan, mid-shot | car stops in the drive | Birds, outdoor noises |
23 | Long shot, pan | protagonist gets out of car, searches. | birds, outdoor noises |
24 | Long-shot | dad walks round confused | Silence |
26 | long/mid shot, pan | running to get back in the car | Natural, outdoor sounds |
27 | Close-up | worried expression | Heavy breathing |
28 | Close-up, over the shoulder shot, POV. | shot of dad’s watch | muted, inside car. |
29 | mid-shot | anger, frustrated facial expression | muted, inside car. |
10 | close-up on hostage | Mum’s scared facial expression | Hostages whimpering and footsteps. |
13 | Slight zoom, mid-shot | Hostages are struggling | Hostages whimpering |
16 | POV from antagonist, pan. | Hostages are struggling | Hostages whimpering and footsteps. |
19 | POV of hostage from antagonist’s eyes. | hostage’s face is being stroked by antagonist | hostages struggling, no footsteps |
30 | over the shoulder, mid-shot | family struggling | hostages struggling, no footsteps |
20 | CGI image of clock | n/a | The time will be 00:45 |
25 | CgI image of clock | n/a | The time will be 00:17 |
Tuesday, 24 January 2012
Update!
Target audience
Update January 24th!
Our target audience
Overall I think our film will appeal to our target age extremely well as there are various aspects that can appeal to different people!
Sunday, 22 January 2012
First day of filming!!!!
Heres a few pictures of the part of the barn we used;
And once we got the actors set up (in their pyjamas... in the freezing cold!) I took some pictures of them so show how we set it all up and also their costumes along with hostage props etc.
STORYBOARD!!!
Friday, 20 January 2012
Video update!
Wednesday, 11 January 2012
Analysis of previous students work - ImaginaryBeard productions
Final final final idea!
Planning for filming!
Tuesday, 10 January 2012
Juuuust a little update!
So just thought I would write a little update of whats going on and where we're at and how i'm feeling about the process in general!
I've now finished all my planning and research, although I found analysing previous students work and existing film openings really helpful and interesting so I may analyse a few more and blog them! I feel all the research I've done has helped me in every way to get ready to make our own thriller opening including technical codes and conventions of a stereotypical thriller opening, and how to edit, shoot, direct etc well.
Today we had a pretty major setback as we hadn't actually been told that our deadline for filming was the 20th of January so in our group we were discussing that we could film on the 22nd of January when someone pointed out that the deadline was apparently the 20th. This made us all extremely stressed as we hadn't been told this at all and we would have preferably liked to have been informed at the beginning of the project or earlier than today!! After finding this out we had to rediscuss our entire filming process, and after much consideration and debating we have realised the nearest possible date we can film is the morning of the 21st and the day of the 22nd - we realise this is past the deadline date but unfortunately there is no day before this when we would be able to film.
To ensure our filming goes smoothly and we achieve the quality opening that we want, we did lots of planning for the shooting of our film in class today and discussed everything that needed to be done in depth - I contacted people about possible locations and I contacted people that we would initally like to star in our film, therefore I can start organising what times we need to be at what places in the day to make sure our filming is as productive as possible.
In class I also planned where I would get each piece of the characters costumes from so I can collect all the costumes before filming.
I now need to contact the people we want to act in it again and inform them exactly what we want them to do, at what times and where. I will also need to contact certain people to enquire about the use of their locations (for example we will be using my house, so I need to check with my family. We will be using a friend of ours' barn so need to brief him on what we will be doing) Also I need to make sure all of my job roles are complete, and then complete the planning prior to filming!!
Our storyboard will be up in a few days - IT'S AWESOME!! :D
byeeeeeeeeeee x
Analysis of past students work - 'Smile'
Sunday, 8 January 2012
Storyboards and shot lists
So our storyboard is now complete! It is a wonderful five pages long with pictures AND words! (aren't you lucky?) We should be scanning it into the computer next week, so expect wonders!
Also, our shot lists are well and truly on the way, so expect photos and print screens of those as well.
I'm just updating you on the whereabouts of our storyboards and shot lists in case you were woprrying, because I know we were! Anyway, both tasks are completed now, and the evidence should be up shortly!
Thank you and have a lovely evening :)
Some title design ideas...
-Audience members would relate it to this film, because in the opening, it would be very prominently featured.
This font is the typical of ransom letters which is brilliant because our opening involves a ransom letter. Many people would associate it with ransom letters and hostage situations because it is used in many hostage situations, real and imaginary alike. It is also quite suspenseful because it relates to very sensitive subjects for some people, e.g. Kidnapping, murder etc.
My individual roles
Camera operator: The camera operator shoots the individual scenes using the camera. I have to know how to work the camera and use the storyboards to work out how to shoot each scene from the right angle etc. I have to be agile, as I'll be carrying the camera around to different places, but I also have to be very patient, because sometimes the camrea can be slow, or play up etc.
Editing: The editor cuts the scenes to make them precisely what is on the storyboard. The editor works solely on a computer to make changes to and to put the different shots together. The editor also adds music, credits, and any extra features that the group feels is necessary. Editing is a big role, because it is the last job that we have to do. It is what produces the final process. I have to be detailed but not too slow. This process usually takes a very long time, so we need to whittle down the editing time as much as we can. However, I also need to be incredibly detailed because mistakes in a movie always look awful, and we want ours to look brilliant.
Continuity: This job requires a lot of thought because it involves making sure that the cast and company adhere to the conditions of shooting. For instance, part of this job is to make sure we shoot a scene at the same time of day, so that when we cut it together, it doesn't look as if the time suddenly changes in the same scene. Also it relates to props, costume, setting and lighting. It requires me to make sure the actors are wearing exactly what they were wearing the shot before, so the audience can recognise them through their clothes. Also props, because if in one shot an actor is using a gun and in the next shot, he isn't, it looks out of place and often people spot it as a mistake. The main function of a person related to continuity is to make sure that the actors look as realistic as they should from shot to shot.
Title design: Because our film is only a short segement, and it is an opening section, we have t include credits and a title. This job involves designing it relating to the genre and film, so that the editor can insert it into te credits. It is a big job, because it is how most audience members remember their films when they are recommending them to someone else. We want our title to be hard-hitting, but also relevant to the film.
Thanks :)
Friday, 6 January 2012
Planning for costume and make-up!!
Thursday, 5 January 2012
Analysis of previous students work!
Here's the clip:
Strengths:
* The music fits really well with the opening, the chosen music adds suspense and tension right from the beginning of the clip. It starts as soon as the clip begins, meaning you notice it right away and notice it throughout the clip. We can make sure our music fits with our thriller opening, and one note I will definitely take from this opening is to start the music when we want it to start becoming tense.
* The credits are integrated brilliantly in this opening, they are spread out between the shots of the actual film which I thought added suspense between each shot - we could think about doing this with our film.
* The lighting used in this opening is all natural which makes it seem more realistic for the audience - we should take note of this and perhaps think about the lighting we use in ours to make it realistic. Also the use of candle light is brilliant, it seems to be an enigmatic code in this opening as there are so many candles - however they are used a light source making the antagonist look mysterious and evil.
* The choice of costumes was realistic and therefore hooked the audience in more and made the opening believable. Dark was used for the antagonist and contrastingly light colours were worn by the protagonist.
* The continuity was brilliant in this thriller opening, I didn't notice any point where it didn't work.
Weaknesses:
* The film was extremely short, and I think if it was longer they would have been able to fit in a wider range of camera angles and movements, and also perhaps made it more tense for the audience by putting in more information about the characters. - I feel our film has a huge range of different camera angles and shots, and also we have figured out how long each shot will be and it comes to about 3 minutes.
* I think the antagonist and protagonist could have been made clearer through camera angles and different shots on them, as it did take me a while to figure out that the female was definitely the antagonist. - We should make sure we clearly show the antagonist and protagonist from the first time that we meet them to make it clear for the audience how they should feel about certain characters.
* I noticed that the slow motion shot is quite pixelated making it difficult for the watcher to focus on exactly who is running in the shot and therefore are unable to make a judgement on whats going on in the scene. - To make sure this doesn't happen to us we should shoot each shot a few times to assure we have perfect shots.
* One other thing I would have liked to see in this opening is perhaps another scene of the 2 main characters so that we know exactly what their relationship is - concluding in the audience making more of a harsh judgement on the antagonist. - To make sure this doesn't happen in our film we should make it obvious the realionships between all characters.
I think this is a really good opening of a thriller and I will definitely be trying to achieve the effect that they had with the music in our film, and also I really loved the fact that they used all natural lighting and the use of candles!
:D:D:D
Wednesday, 4 January 2012
Director Research!
Steven Spielberg!
I thought I’d have a little look at a thriller director, so I decided to choose I’d say one the most famous directors of all time… Steven Spielberg!
His full name is Steven Allan Spielberg and he was born December 18th, 1946 in Cincinnati, Ohio.
He is an American film director, producer, screenwriter, video producer and studio entrepreneur and is worth roughly 3 billion dollars!
He has a career spanning 4 decades and has covered many themes and genres, from Star Wars to Schindler's List making him not only successful, but an extremely diverse director. Spielberg's early science-fiction & adventure films such as Indiana Jones,Back to the Future and E.T were seen as a typical example of Hollywood blockbuster filmmaking. In later years his films addressed more controversial and sensitive issues such as the Holocaust, terrorism, war and slavery e.g. Saving Private Ryan, Schindler's List and Munich.
Spielberg's films often deal with several recurring themes. Most of his films deal with ordinary characters searching for or coming in contact with extraordinary beings or finding themselves in extraordinary circumstances. In an AFI interview in August 2000 Spielberg commented on his interest in the possibility of extra terrestrial life and how it has influenced some of his films. Spielberg described himself as feeling like an alien during childhood, and his interest came from his father, a science fiction fan, and his opinion that aliens would not travel light years for conquest, but instead curiosity and sharing of knowledge.
A strong consistent theme in his family-friendly work is a childlike, even naïve, sense of wonder and faith, as attested by works such as Close Encounters of the Third Kind, E.T. The Extra-Terrestrial, Hook, and A.I. Artificial Intelligence. According to Warren Buckland,[ these themes are portrayed through the use of low height camera tracking shots, which have become one of Spielberg's directing trademarks. In the cases when his films include children (E.T. the Extra-Terrestrial, Empire of the Sun, Jurassic Park, etc.), this type of shot is more apparent, but it is also used in films like Munich, Saving Private Ryan, The Terminal, Minority Report, and Amistad. If one views each of his films, one will see this shot utilized by the director, notably the water scenes in Jaws are filmed from the low-angle perspective of someone swimming.
He is a co-founder of Dreamworks SKG.
He is the godfather of Drew Barrymore and Gwyneth Paltrow!
He often casts new actors based on their performances in other works, he rarely does auditions for major roles.
Is a huge fan of the actors Steve Martin, Bill Murray and Robin Williams. He is also proud to admit they are good friends of his.
When he is asked what films he would like be remembered by he said E.T and Schindler's List.
In terms of casting, Spielberg has a known fondness for working with actors from his previous films.
For example:
Richard Dreyfuss; Jaws, Close Encounters of the Third Kind and Always.
Frank Welker(voice actor): Who Framed Roger Rabbit, Gremlins 1+2 and The Land Before Time.
Tom Hanks: Saving Private Ryan, Catch Me If You Can and The Terminal.
Tom Cruise: Minority Report and War of the Worlds.
Shia LaBeouf: Transformers 1, 2 and 3, Eagle Eye and Indiana Jones and the Curse of the Crystal Skull.
Kathleen Kennedy has served as producer on all his major films from E.T. to Munich.
Michael Kahn has edited every film directed by Spielberg from Close Encounters to Munich (except E.T)
The most famous professional relationships Spielberg has is his long time collaborations with composer John Williams. He has created the musical scores in all of his films since The Sugarland Express (except The Colour Purple and Twilight Zone: The Movie.) One of Spielberg's trademarks is his use of music by John Williams to add to the visual impact of his scenes and to try and create a lasting image and sound of the film in the memories of the audience. Williams has created some of the world's most recognizable film scores in the history of motion pictures, including the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T, Hook, Jurassic Park, Schindler's List, Home Alone and the first 3 Harry Potter films.
So why did i research Spielberg? Although he's the almost stereotypical Hollywood director, his work is incredible, and he has directed some of the most famous films of all time, and certainly some of my favourite films. He is amazing at expressing controversial issues through motion picture, and he is an inspirational director!